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Faculty & Staff > Performace > Arthur Haas


Arthur Haas, Professor;
Harpsichord, Early Music Performance and Continuo
M.A. University of California at Los Angeles, 1974
Email Arthur Haas at: inegale[at]aol.com




Arthur HaasArthur Haas is renowned throughout Europe and America as a peerless pedagogue and performer of Baroque and contemporary music. After receiving top prize in the 1975 Paris harpsichord competition, Mr. Haas remained in Paris from 1975 to 1983, performing in most major French early music festivals including le Festival Estival de Paris, Mai Musical de Bordeaux, and the Saintes Early Music Festival. Praised by Le Monde for his interpretation of French keyboard music, Professor Haas has recorded duo-harpsichhord music of Gaspard LeRoux with William Christie, solo CDs of music by D'Anglebert, Forqueray, and harpsichord music of the English Restoration. Prof. Haas is a member of the Aulos Ensemble and Musical Assembly, and has toured with such leading Baroque musicians as Marion Verbruggen, Julianne Baird, Stephen Preston, and Laurence Dreyfus. Much in demand as a teacher, Prof. Haas is a faculty member of summer early music music institutes in Berkeley, Amherst, and the Longy School of Music; he has also taught at the Eastman School and at Stanford University.

Curriculum Vitae

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Curriculum Vitae


EDUCATION
    MA in Historical Musicology, UCLA, 1975. Thesis: "The Chaconne and Passacaille in French Baroque Harpsichord Music."
    BA in History, UCLA, 1969.
HARPSICHORD TRAINING
    Alan Curtis, Berkeley and Amsterdam, 1972-77.
    Kenneth Gilbert, Paris. 1976-77 (Master Classes)
    Albert Fuller, the Juilliard School, New York, 1970-1.
CURRENT TEACHING POSITIONS
    Eastman School of Music
    Associate Professor of Harpsichord (part time) since 1983.
    SUNY Stony Brook
    Artist-in-Residence in Harpsichord since 1985.
    Mannes College of Music (New York)
    Lecturer in Harpsichord and Performance Practice, since 1989.
PREVIOUS TEACHING EXPERIENCE
    Stanford University
    Visiting Lecturer in Harpsichord (1986-88)
    L'Ecole nationale de Musique, Angouleme, France
    Professor of Harpsichord (1979-83)
COMPETITIONS
    Top prize winner in Concours International de Clavecin de Paris, 1975.
    Prize winner in Concours International de Clavecin de Bruges, 1974.
RECITALS, COLLABORATIONS WITH OTHER ARTISTS
    Formal debut recitals in New York (Alice Tully Hall, 1985), San Fransisco (1984), Boston (1984).
    Soloist in numerous European and American early music festivals including Festival Estival de Paris, Festival de Musique Ancienne de Saintes, Mai Musical de Bordeaux, Spectaculum (Vienna), Innsbruck Festwoche fur Alte Musik, Festival di Ascona, Dresdner Festspiele, Mostly Mozart (New York), Berkeley Music Festival.
    Duo Recitals and concerts with early music specialists including:
    Marius van Altena, Julianne Baird, James Bowman, Phoebe Carrai, WIlliam Christie, Alan Curts, Bruce Dickey, Jan de Gaetani, Laurence Dreyfus, Paul Leenhouts, Judith Nelson, Paul O'Dette, Stephen Preston, Marion Verbruggen.
    Premier of William Albright, Concerto for Harpsichord and Orchestra
    Eastman School of Music 1994.
    Current ensemble affiliations: Aulos Ensemble, Musical Assembly, Collegium Atlantis.
CONDUCTING EXPERIENCE
    Director of Stony Brook Baroque Players (since 1988).
    Conductor of L'Orchestre de la Grande Ecurie du Roi, for Festival Estival de Paris (1985).
    Musical Director of Tresors Retrouves, a French group devoted to the revival of little- known Baroque theatrical works (1981-4).
DISCOGRAPHY
    Solo:
    Forqueray, Antoine- Pieces de clavecin, Wild Boar 9201 (1994).
    D'Anglebert, J-H- Pieces de clavecin, Wild Boar 8802 (1990).
    New Ground-Henry Purcell and his Contemporaries
    Music and Arts (to appear in Spring, 1997).
    Harpsichord Duo:
    Bach, J.S. Goldberg Variation Canons, BWV 1087, with Alan Curtis.
    EMI 151-30710/11 (1997).
    Le Roux, Gaspard- Pieces pour deux clavecins, with William Christie. Harmonia Mundi HM 399 (1978).
    Chamber Music:
    Couperin, Francois, L'Espagnole and La Piemontoise-
    Music and Arts 825 (1994).
    A Baroque Christmas from the Metropolitan Museum of Art
    Music Masters 67119-2 (1995).
    Bach, JS, Concerti (including Brandenburg Concerto #5)
    Musical Heritage Society 513906T (1995).
    Vivaldi, Antonio, Twelve Chamber Concerti.
    Music Masters 60198-99 (1989).
    With Five Centuries Ensemble
    Six-record set of vocal and instrumental music of 17th Century
    Italian composers including Girolamo Frescoabaldi, Marco da Gagliano, Sigismondo d'India, Luzzasco Luzzaschi, Claudio Monteverdi, and Allesandro Scarlatti
    for Italia Records (1978-1981).
    Contemporary Music
    Barnety, Nancy, Strings of Light- duo for Harp and Harpsichord on NEUMA New Music Series, vol 2 1988.
    New American Music for harpsichord and Oboe with Richard Killmer and other Eastman Faculty Members. Music includes Sydeman Sonata for Oboe and Harpsichord, Hodkinson, Papillons I and II, Rorem, Lovers. Albany Recordings- to be recorded in 1997.
JUDGE ON INTERNATIONAL HARPSICHORD JURIES
    Concours international de Clavecin de Paris (1983, 1985, 1989).
    Southeastern Historical Keyboard Society Harpsichord Competition (1986, 1991, 1996).
PUBLICATIONS
    "La Pratique de la modulation dans les sonates de Domenico Scarlatti" in Domenico Scarlatti- Les Cahiers de la Societe de Musique Ancienne de Nice. #1 (1985)
    "Les Anciennes techniques d'expression dans les oeuvres pour clavecin des compositeurs modernes" in Hommage a Scott Ross- Les Cahiers de la Societe de Musique Ancienne de Nice #3 (1991).
    "Forqueray," "Foucquet," and "Suspension," in Encyclopedia of Keyboard Instruments, Garland Publishing.
    Review of Jean-Henry d'Angelbert and the Seventeenth Century Clavecin School, by Beverly Scheibert, in Early Keyboard Journal (1994).
PERFORMANCE ACTIVITY
    Concert Activity since Fall 1995
    Sept 5-7 Solo Recording of English Restoration Keyboard Music (San Fransisco).
    Ocober 6 Columbus Chamber Music Society with Aulos Ensemble.
    October 8 Cleveland Chamber Music Society with Aulos Ensemble.
    November 4 Mannes College chamber music concert (NY).
    Nov. 16-18 International Purcell Conference Lecture and Recital (University of Maryland).
    November 26 Montclair State University Chamber music recital.
    December 10 Chamber music concert with Drew Minter, Holy Trinity Church, NY.
    December 20 Baroque Christmas concert with Aulos Ensemble at Metropolitan Museum, NY.
    December 21 Baroque Christmas concert with Aulose Ensemble and Julianne Baird at Metropolitan Museum, NY.
    January 6 Daytona Beach with Aulos Ensemble.
    January 28 Oklahoma State University with Aulos Ensemble.
    January 29 Memphis State University with Aulos Ensemble.
    February 3 Smith College with Aulos Ensemble.
    February 13 Harpsichord Recital for Genessee Early Music Society (Rochester).
    Tour with Marion Verbruggen (recorders ) and Phoebe Carrai (Baroque Cello).
    Bucknell University- Feb. 23
    Lehigh University- Feb. 24
    Seattle Early Music Society- March 1
    Cal Poly University- March 2
    UCLA- March 3
    March 13 92nd St. YMHA (NY) with Dawn Upshaw, piano.
    March 15 Lincoln Friends of Chamber Music (Lincoln, NE) with Musical Assembly.
    March 17 Shrine to Music Museum (Vermillion SD) with Musical Assembly.
    March 20 92nd St. YMHA (NY) with Dawn Upshaw.
    March 27 92nd St. YMHA (NY) with Dawn Upshaw.
    May 14 Concert with Orchestra of St. Lukes (NY).
    June 30 Indianapolis Early Music Festival, with Eva Legene, recorders.
    July 6 French Baroque concert for Conference on Women (SB).
    July 12-16 Eastman Continuo Institute.
    July 19-28 Longy International Baroque Institute.
    August 4-11 Amherst Baroque Academy and Early Music Festival.
    October 2 Concert at Longy School of Music (Boston).
    October 6 Concert at Frick Museum (NY).
    October 12 Concert at Vassar College.
    October 26 Concert with Chanticleer Ensemble (NY).
    October 28 Dobbs Ferry Chamber Music Society with Aulos Ensemble.
    November 8 San Fransisco Early Music Society (Palo Alto) with Musical Assembly.
    November 9 San Fransisco Early Music Society (Berkely) with Musical Assembly.
    November 10 Mt. Cisco Chamber Music Society with Aulos Ensemble.
    November 16 Chamber Music Concert at Old Merchant's House (NY).
    December 1 Helicon Society (NY) with Aulos Ensemble.
    December 8 UCLA with Aulos Ensemble and Julianne Baird.
    Dec. 13 & 14 Renaissance and Broque Society (Pittsburgh) with Aulos Ensemble and Julianne Baird.
    December 15 Middlebury College (VT) with Aulos Ensemble and Julianne Baird.
    December 19 Metropolitan Museum (NY) with Aulos Ensemble.

    Recording
    Solo harpsichord recording of English Restoration music for Music and Arts Records to be issued in Spring, 1997.

    Ensemble Memberships
    Aulos Ensemble- New York (Since 1987)
    Musical Assembly- New York and San Fransisco (since 1991)
    Orchestra of St. Lukes (first call substitute)

    Visiting Artist Engagements
    1995- University of California Regents Scholar- at U.C. San Diego. In residence for one week (March 6-12) to supervise production and perform in Henry Purcell's Dido and Aeneas (in honor of the Purcell Tri-centenary year).
    1995- International Purcell Festival and Conference. University of Maryland (Nov. 16- 18) Invited artist to perform in two recitals and give lecture/recital on the newly discovered Purcell keyboard autograph score.